Lightroom Classic Update - introduces Denoise-AI powered noise reduction.

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I'm quite impressed with what Adobe has done with this and the rendering is about 10 seconds on my system and heavily utilized my RTX3090 GPU. I'll try it on my XPS 15 laptop later with a much less capable GPU.

Yikes, that's a beefy GPU! I just processed numerous files from various cameras ranging back to my 5D, and my M1 MacBook Air took 45 seconds to almost two minutes depending on the camera.

I greatly appreciate how quickly the preview window adjusts to the noise slider, even on my laptop with no discrete GPU. It's less painful to use than DXO in that regard.
 
Windows Task Manager, Performance Tab. I have the window set up to show the graphs of GPU usage % and memory usage and the left hand column scrolled to show CPU usage % and memory usage. Window is set to "Always on Top" mode, so I have it over LRC when running the test...sized so that it takes up about 1/6th of the screen.
Interesting test. Performed test with full size NEF from my d850. Time required is closer to 20 seconds. PC I built within last couple months. i7-13700K, nvidia geforce RTX 3060 w/12gb VRAM, 128g RAM, and working folder is 8TB of M.2.SSD firecuda on an ASUS z790 MB. During test CPU usage never goes over 3%, GPU usage stays right at 81-82%. Thinking maybe I open up the clocking and see the results.
 
I just spent some time playing with some high-ISO files from various cameras I've owned over the years. I thought you all might be interested to see how some unusual cases might perform.

These are photos I selected because they were high-ISO, not because they were great photos. These are all screenshots of 100% crops in the Lightroom Classic app. You can see which ones are noise-reduced by noting which are DNG files.

Nikon Z9, shooting a concert in a near black-hole, illuminated only by some small RGB light panels. ISO 102,400!
Ey1wM3I.jpg


Canon 7D, shooting at the 24 Hours of Daytona some years ago.
7jkwU1q.jpg


Fuji X-H2S at a modest ISO 3200. The algorithm still did a great job giving me more feather detail.
HpFDbYY.jpg


Fuji X-T4. The noise reduction meant I could crank the sharpening up without fear of the dreaded "Fuji worms". Without being sensationalistic, I think you could say the new algorithm replaces false detail (noise) with real detail. (Of course, that "real" detail is synthetic, sooooo...)
PHYDc0I.jpg


Fuji X-T5. I've found the X-T5's sensor to be very demanding of lenses, so if this one looks a bit "waxy", part of that might be coming from the fact that there are a few trillion pixels per millimeter on this sensor!
zW4gYuT.jpg


Fuji X-T5 840nm IR conversion. 840nm needs a TON of light, and after ISO6400 you sometimes see PDAF sensor pattern noise. I switched this camera to near-IR as a result. Here's a test shot I took at ISO 12800 to learn about the pattern noise. Unfortunately, the new NR algorithm doesn't eliminate the pattern noise.
xvOXPJO.jpg


My beloved X100V after dark. This was the highest ISO file I had. I don't care so much that the X100V doesn't have IBIS anymore... I'll just crank up the ISO from now on.
Zknup1e.jpg


My old Olympus E-M5 literally in a cave. What you're seeing is a cave wall illuminated by bioluminescent lichen (I think it was lichen?), with the cave lighting turned off. This was ISO 6400 1/4sec f/2.5, "pushed" two stops in LR. Not a great photo, but check out that chroma noise!
VKWltER.jpg


A vacation photo shot with my now-antique Oly E-510. This is the only photo where I found LR produced a result unlike the actual scene. Check out the big, red color shift! I could easily re-grade the photo, but I found it interesting. Be careful when processing Four Thirds DSLR files, folks! :)
6ESC35Q.jpg


I hope you enjoyed this stroll down Obsolete Camera Memory Lane! ;)
 
Yikes, that's a beefy GPU! I just processed numerous files from various cameras ranging back to my 5D, and my M1 MacBook Air took 45 seconds to almost two minutes depending on the camera.

I greatly appreciate how quickly the preview window adjusts to the noise slider, even on my laptop with no discrete GPU. It's less painful to use than DXO in that regard.
There are a LOT of these 3090 and 3080 GPU's coming on the used market as gamers upgrade to new 40 series GPU's...picked this one up at less than half the current price of a new one. Given that I've never had a graphics card go bad on me, even in very heavy usage, I'm totally comfortable buying a used one locally, in person. In my area, they're going for $700 to $900 depending on model. No brainer in my book I was originally going to upgrade my older I7-6700K, 64GB system (with 6GB GTX-1660 Super) to a 12th or 13th gen system, but in doing some research on my main applications , it was far better to put money into GPU performance than at the CPU end. I did pick up a used Z390 MB and I7-9700K w/32GB of memory for $200 from an acquaintance, swapped in the 64GB memory from previous machine and now my older system is relegated to doing some remote renders and batch operations. I'm going to wait a generation or two before upgrading any further...really no need to at this point.

Cheers!
 
I just spent some time playing with some high-ISO files from various cameras I've owned over the years. I thought you all might be interested to see how some unusual cases might perform.

These are photos I selected because they were high-ISO, not because they were great photos. These are all screenshots of 100% crops in the Lightroom Classic app. You can see which ones are noise-reduced by noting which are DNG files.

Nikon Z9, shooting a concert in a near black-hole, illuminated only by some small RGB light panels. ISO 102,400!
Ey1wM3I.jpg


Canon 7D, shooting at the 24 Hours of Daytona some years ago.
7jkwU1q.jpg


Fuji X-H2S at a modest ISO 3200. The algorithm still did a great job giving me more feather detail.
HpFDbYY.jpg


Fuji X-T4. The noise reduction meant I could crank the sharpening up without fear of the dreaded "Fuji worms". Without being sensationalistic, I think you could say the new algorithm replaces false detail (noise) with real detail. (Of course, that "real" detail is synthetic, sooooo...)
PHYDc0I.jpg


Fuji X-T5. I've found the X-T5's sensor to be very demanding of lenses, so if this one looks a bit "waxy", part of that might be coming from the fact that there are a few trillion pixels per millimeter on this sensor!
zW4gYuT.jpg


Fuji X-T5 840nm IR conversion. 840nm needs a TON of light, and after ISO6400 you sometimes see PDAF sensor pattern noise. I switched this camera to near-IR as a result. Here's a test shot I took at ISO 12800 to learn about the pattern noise. Unfortunately, the new NR algorithm doesn't eliminate the pattern noise.
xvOXPJO.jpg


My beloved X100V after dark. This was the highest ISO file I had. I don't care so much that the X100V doesn't have IBIS anymore... I'll just crank up the ISO from now on.
Zknup1e.jpg


My old Olympus E-M5 literally in a cave. What you're seeing is a cave wall illuminated by bioluminescent lichen (I think it was lichen?), with the cave lighting turned off. This was ISO 6400 1/4sec f/2.5, "pushed" two stops in LR. Not a great photo, but check out that chroma noise!
VKWltER.jpg


A vacation photo shot with my now-antique Oly E-510. This is the only photo where I found LR produced a result unlike the actual scene. Check out the big, red color shift! I could easily re-grade the photo, but I found it interesting. Be careful when processing Four Thirds DSLR files, folks! :)
6ESC35Q.jpg


I hope you enjoyed this stroll down Obsolete Camera Memory Lane! ;)
@Chris K tell us what your reaction to the outcome is?
 
(y)

I was about to upgrade to DXO Pure RAW 3, but now I'm still waiting. In a quick test, I found that if the camera and lens are supported by DXO, DXO Pure RAW is slightly better. Now it depends on how quickly DXO provides the long Z lenses.
Yeah unfortunately to-date none of the long prime Z lenses have been profiled. So far the only "wildlife" lens is the 100-400mm. Which of course I don't use.

On the pictures I ran, I found that the two were quite comparable as long as I turned off sharpening in DXO but that sharpening in DXO yields more artifacts. I have only tested 5 images so that view may evolve but I just like that LR seems more light-handed in its approach, leaving more room for adaptive sharpening.
Considering that it's their first attempt and it's part of the LR price - they are definitely on the right tracks.
Topaz was consistently worse in my trials when used in full automatic - but if you fiddle with the settings you can get close. What's impressive with DXO and LR is that they get there without futzing.
One of us must be doing something different. Either I'm not using LR well or you're doing something odd in PL6. By "sharpening" if you mean in the lens correction panel I've never had that produce any artifacts at all. I typically leave it at default value but in limited testing I did at higher settings never saw any artifacts. As opposed to Topaz which can produce some pretty funky looking stuff. So much so that when I used to use Topaz denoise AI I always turned sharpening off. But I've completely abandoned Topaz in favor of PL.
 
One other minor detail that I just noticed that I haven't seen mentioned...the size of the DNG files created by the denoise feature. That cat photo that I posted went from a Lossless Compressed NEF of 64MB to a 211MB DNG...yikes! 😫

And upon further testing, a RAW HE, 9.5MB DX format file swells to a whopping 73MB DNG after Denoise...there is no free lunch!
Yeah…but these days do any of us really care about individual file sizes? I know I don't…because only my catalog, previews, and current year masters live on the 2TB drive in my Mac Studio…older year images get moved out to the 12TB OWD Thunderbay Mini since I don't need them as much and it is considerably slower than the internal SSD…although I suppose I could put 4 4TB SSD drives in it instead but that's about $1,500 more than spinning drives so I didn't bother going that way…maybe 8 TB SSDs will someday) be affordable. OTOH, I could get myself one of those 10GB ethernet NAS boxes and a switch and seriously upgrade my network up in the office but it hardly seems worthwhile for an amateur to spend that much…but it would still be cheaper probably than an 800PF).
 
Have I just thrown away US$129 by purchasing DxO PureRAW 3 earlier this week?

Background: I use LrC and shoot with Canon R5 (CR3) and Leica Q2 (DNG).
My guess is probably not…as LR's first attempt at really doing AI NR…it's gonna probably be behind DxO and Topaz at least for some images, but maybe it will be good enough for most of the time and it does save a trip outside of LR…gonna have to test things a bit I guess and see. I'm not one of those. that does NR in a bunch of apps and then picks the best one…for me it's DxO 3 currently but if LR's turns out to be good enough most of the time I might go that way because it is a simpler PP workflow and only pass the really noisy ones to DxO. I've also got Topaz's stuff…but my auto upgrade cycle ran out and I"m still pondering whether to pony up for another year of upgrades on them…one thing I do like about Topaz is that at least the new Photo AI lets you choose the amount of NR and has masking and you can turn the sharpening off if you like…but like others I nee to do some testing and figure out the best option for my standard workflow PP.
 
Yeah…but these days do any of us really care about individual file sizes? I know I don't…because only my catalog, previews, and current year masters live on the 2TB drive in my Mac Studio…older year images get moved out to the 12TB OWD Thunderbay Mini since I don't need them as much and it is considerably slower than the internal SSD…although I suppose I could put 4 4TB SSD drives in it instead but that's about $1,500 more than spinning drives so I didn't bother going that way…maybe 8 TB SSDs will someday) be affordable. OTOH, I could get myself one of those 10GB ethernet NAS boxes and a switch and seriously upgrade my network up in the office but it hardly seems worthwhile for an amateur to spend that much…but it would still be cheaper probably than an 800PF).
You may not care and I may not care, but given the frequent gnashing of teeth and whining about file sizes of higher resolution files these days, a LOT of people DO care...hence my reason for pointing it out. Consider it a PSA...:)

Cheers!
 
What im thinking so far is the results at 100% are too creamy/smooth on bird feathers, compared to DXO. Need to back off 100% for a realistic result.
 
My guess is probably not…as LR's first attempt at really doing AI NR…it's gonna probably be behind DxO and Topaz at least for some images, but maybe it will be good enough for most of the time and it does save a trip outside of LR…gonna have to test things a bit I guess and see. I'm not one of those. that does NR in a bunch of apps and then picks the best one…for me it's DxO 3 currently but if LR's turns out to be good enough most of the time I might go that way because it is a simpler PP workflow and only pass the really noisy ones to DxO. I've also got Topaz's stuff…but my auto upgrade cycle ran out and I"m still pondering whether to pony up for another year of upgrades on them…one thing I do like about Topaz is that at least the new Photo AI lets you choose the amount of NR and has masking and you can turn the sharpening off if you like…but like others I nee to do some testing and figure out the best option for my standard workflow PP.
DxO 3? Do you mean Pure Raw 3 or PL3? I hope you mean the former as the NR in PL3 was good for it's time, but is largely irrelevant today.
 
What im thinking so far is the results at 100% are too creamy/smooth on bird feathers, compared to DXO. Need to back off 100% for a realistic result.
Thankfully Adobe didn't give you a knob that goes to 11 !!! Some may not get that joke...🤣

50-60% is the most I've used, very happy with the results.
 
M
Thankfully Adobe didn't give you a knob that goes to 11 !!! Some may not get that joke...🤣

50-60% is the most I've used, very happy with the results.
Maybe I do?
Doug Jones who worked for Danley Sound Labs explains it in his video how Tom Danley gets the Volume to 11 without all the conventional issues
 
There are a LOT of these 3090 and 3080 GPU's coming on the used market as gamers upgrade to new 40 series GPU's...picked this one up at less than half the current price of a new one. Given that I've never had a graphics card go bad on me, even in very heavy usage, I'm totally comfortable buying a used one locally, in person. In my area, they're going for $700 to $900 depending on model. No brainer in my book I was originally going to upgrade my older I7-6700K, 64GB system (with 6GB GTX-1660 Super) to a 12th or 13th gen system, but in doing some research on my main applications , it was far better to put money into GPU performance than at the CPU end. I did pick up a used Z390 MB and I7-9700K w/32GB of memory for $200 from an acquaintance, swapped in the 64GB memory from previous machine and now my older system is relegated to doing some remote renders and batch operations. I'm going to wait a generation or two before upgrading any further...really no need to at this point.

Cheers!

I'm nervous buying used gamer hardware, knowing how some people abuse voltages. I managed to snag a 2070 Super before retail prices went crazy, and I've been happy with it. Hopefully by the time I need a replacement even the midrange cards will be far beyond my current card.

Your method certainly is compelling. If GPU rendering becomes the way forward for LR and such, I might have to upgrade and move back to doing LR on a desktop.

@Chris K tell us what your reaction to the outcome is?

I don't mind luminance noise in my photos, generally. The kind of images I shoot at high ISO (events, candids, wildlife) aren't the kinds of images I tend to print large, so the grain isn't often visible in my photos even at ISO 6400. It's only ISO12800+ that starts to cause problems for me.

Add to that the pain involved in using an external tool in a LR workflow, and I tend to just live with the noise.

That said, I'm thrilled to have this feature integrated into Lightroom! The improvement seems to be roughly three stops no matter the camera. More than simply improving image quality, I'm now genuinely able to do some things I couldn't do before (without suffering unacceptable noise):
  • Stop down when shooting low light concerts with my Z9
  • Keep shooting wildlife or landscapes with my X-T5 as golden hour turns blue
  • Stop down my X100V when shooting street at night
  • Shoot handheld landscapes with my GFX100S at dawn/dusk, without shooting numerous "safety frames"
This is by far the biggest image quality improvement in Lightroom since it launched, and it effectively made all my cameras "jump a generation"... like cheating Moore's Law.

(That said, I'd be happy if Adobe managed to compress these files a bit... I tested an ISO12800 GFX100S photo, and it went from 61MB to 500MB!)
 
No matter what I have tried, I simply can't get detail and sharpness at Topaz DeNoise levels with the new Lightroom denoise. For now, I'll be sticking with Topaz, but I hope Lightroom improves with future updates.
 
Has anyone else noticed how slow it is? Two minutes to complete the noise reduction and details were lost in faces--looked over processed. Topaz Denoise stand alone takes less than 10 seconds and you have much more control of the look you want. I have an iMac with the M1 chip and all the other LR features are almost instant.
 
Has anyone else noticed how slow it is? Two minutes to complete the noise reduction and details were lost in faces--looked over processed. Topaz Denoise stand alone takes less than 10 seconds and you have much more control of the look you want. I have an iMac with the M1 chip and all the other LR features are almost instant.
Not slow for me. From what has been posted by others it sounds like a lot depends on your graphics card.

I was just thinking. Topaz is agonizingly slow for me on its return trip to PS. I wonder if that is also related to graphics card use.
 
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Has anyone else noticed how slow it is? Two minutes to complete the noise reduction and details were lost in faces--looked over processed. Topaz Denoise stand alone takes less than 10 seconds and you have much more control of the look you want. I have an iMac with the M1 chip and all the other LR features are almost instant.
I suspect the sluggish performance you're seeing is due to the nature of the M1 chip and it's graphics optimizations being geared more towards certain video codecs and not necessarily the sort of computational methods for that Adobe has chosen in for their denoise algorithms. I do understand that for some types of graphics operations, the M1 chips are about equivalent to the GTX1050 mobile version, though in other operations, they're way beyond that.

I'd look to hear the results of other Mac users of different configurations. Given the memory usage I'm seeing my GPU use, it can be very intensive.

Nothing I've done on my fairly beefy Win 10 system has taken over 10 seconds. I've not yet updated my Dell XPS15 laptop (GTX1050 discrete GPU) and updated LRC, but will do that shortly and run some tests for comparison to my desktop. I've never used any of the Topaz products, so I can't speak to their performance or their optimal computing requirements. I've stuck with LRC, PS and DxO for years and that has served me very well.
 
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