Expectations vs. reality (vs real reality)

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Stephen Berger

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A couple of months ago I posted some questions ahead of a what turned out to be my first exclusive and focused wildlife photography road trip (and I got some very helpful answers - thank you!). I wound up on the road for 3 weeks going from LA thru Utah, Idaho, Wyoming, Montana, South Dakota, Colorado and Arizona (Zion, Yellowstone, Teton, Harriman State Park, Custer State Park, etc.).

It was 4900 miles of mostly easy breezy driving and was a great antidote to the previous 7 months of lockdown.

I’ve been photographing (or attempting to photograph) wildlife for about 7 years. My main method being hiking around with my camera and seeing what happens. A decent amount of my decision to become more focused and serious about it came from watching Steve’s videos and reading his photographing wildlife ebook. So I added a 500mm lens to my kit along with a sturdy tripod and gimbal head and was determined to and certain that I would find lots of amazing spots to get out, set up my rig and patiently allow the scene(s) to unfold before me.

Ha!

What really happened is that I never once pulled out my tripod. I always felt like I was a step behind the action and when opportunities did arise (and compared to the time spent they were rare) it all felt so run and gun and I often cut off legs or horns, etc.

It was on my 7th day into the trip and 2nd in Yellowstone between Gardiner and the Lamar Valley when I was started feeing discouraged. In my mind I was going to easily spot and beautifully photograph an assortment of animals and in reality had only seen a lot of bison some bighorn sheep and couple of elk at anywhere near the proper distance (I also saw wolves, a brown bear a grizzly but all from quite far away).

The next day I went out again, again with minimal, photographable animal action but a switch flipped and I was looking around and thinking (to paraphrase), “I’m in Yellowstone and it’s amazing!! And I love being on the road and out in nature and I’ve seen bison and elk and wolves and bears and bighorn sheep and I’m having a great time!”

I stayed on the road for 14 days after that and had some great luck (still in that gonzo, leg and horn cutting off way) in Custer State Park but with the switch in attitude had a fantastic time all the rest of the way and while my expectations of what I would encounter and the kinds of pictures I would take didn’t fully jibe the real reality was that it was an immense pleasure and luxury to be on the road for so long and see and immerse myself in so many beautiful places and to see the wildlife I got to see; and pictures or no pictures that has long been my happy place.

I also had a couple of serendipitous moments like on the drive home deciding last second to take the long way from Page Arizona to Kanab Utah so that I could cross the Navajo Bridge and see the Vermillion Cliffs. Doing so led me to stumble upon some California Condors at the Navajo Bridge and while the light and backgrounds were poor I got to witness a mating ritual that was beautiful to see.

A few photography thinks I learned…

I was so stoked to have and extensively use my 500mm lens but so often it was either too short or too long, lol. (I also learned that I can handhold it - previous Nikon version - to good effect but it did start to wear me out.

I had an assortment of 2nd body lens options but still often had the wrong one on in the moment.

In the future I may be better served by having more of a photographic plan (vs a logistical one). As in what do I want to capture and what will it REALLY take to accomplish it.

ALWAYS check the ‘seasons of wildlife’ section in bird sanctuaries etc!! I booked 2 day in Ogden Utah to go to Bear River bird sanctuary but timed my trip right in between 2 migration events so all I got was a car full of midges. I’m usually smarter than that (though Antelope Island was still fun).

So that’s my story, thanks again to all who offered advice and I can’t wait til next time armed with some more knowledge and experience.

I’m not sure how to post a bunch of photos here and I also exported everything larger than this site allows so if you've read this far and are curious at all a quick scroll through my IG (@stephen_berger) will show you what I was up to (the last 100 or so pics - I also took a lot of landscapes).
 
Great story! I have to admit similar had happened to me. I learned to plan for some opportunities, but mostly go to enjoy the trip. I went to South Dakota and really wanted to see Mount Rushmore and the Badlands before heading to the Tetons and Yellowstone. We had to extend the time in SD because the fog was so thick you couldn’t see more than 20 yards. I ended up going into the Badlands again and came across some big horn lambs running across the tops of the cliff. Overall one of the best trips I’ve been on. I’ve really turned into the make the best of whatever happens type of person now.
 
I agree - great story that no doubt many can relate to.

Perhaps on extensive photo centric journeys such as yours that at key areas pre-arranging ahead of time for the services of a local wildlife photo guide would increase success and satisfaction as far as the photo results of the journey.
 
Stephen, we can all relate to your trip! So many times we go out visualizing what the day "should" look like. And it never seems to go as we had imagined. But that is the great part of being out there, we get to just enjoy the day and the animals for what they are. Although the days when you get out there and everything comes together arn't bad either!

Sometimes your in the right place, right time, perfect light, and even have the the right lens on the right body! Other times no matter how hard you work it, you just cant seem to get "the" image that you wanted. Welcome to the world of wildlife photography

Its those times you just have to sit back and enjoy where your at and what your doing. Its truly a blessing to be out in the woods, hiking a mountain, or even standing in a creek.

Thanks for your story!
 
Like others have said we have all had that light bulb moment both good and bad. It took me months of bad images when I first started... then I got my first good image and I wanted a 2nd one... then a 3rd and so on and so on. As @Demodave said... go into it with the thought of enjoying the day and where you are in the world at that moment. To this day my most personal memory in the outdoors I didn't have a camera, but that doesn't diminish at all how I fell about that event.
I was in Yellowstone a long time ago and got to witness 2 grizzlies and 3 wolves interact while feeding on a dead bison carcass, I had my camera equipment but could not get close enough to get any kind of photograph that I thought was acceptable at time. while recently going though those photo's it placed me at that exact moment and I was instantly transported back there....

Sometime we have an image (no pun) in our mind of what we think is perfect...when in reality that photo I have is one of MY personal favorites because of the memory it provides. Isn't that truly WHY we take photos... to move us, to make us think, to make us FEEL something.
 
Great write up - an enjoyable read :) Thanks you. One soon learns the subjects can be relied upon not to oblige, and weather is too often fickle. Ultimately wildlife photography must be enjoyable. disappointments are inevitable. But I think serendipity is one constant that lures one outwards and onwards ! Another factor is the more outings, encounters and interactions with subjects the greater one learns to understand their behaviour. I also never tire of the same beat either hikes or drives as you get to know the key nodes and patches where interesting and events are more likely, and memories accumulate with experiences....

If you might like to read into some more philosophical aspects, particularly having confidence in one's gear... take a look at Ming's blog eg https://blog.mingthein.com/2017/12/03/the-shooting-experience/#more-16119


PS one factor with aspects of photo gear: when it's possible not only a 2nd but 3rd camera is very useful in the car/hide. So one has complementary rigs for reach/framing as well as low light. And of course 2 zooms give so much more flexibility with framing, especially with as one subject presents two very different scenes, which can coincide in time. This is the main niche of my 80-400 G. If only shooting wildlife with primes, the 'doubling rule' is useful based in focal length eg 200/400/800
 
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Great story! I have to admit similar had happened to me. I learned to plan for some opportunities, but mostly go to enjoy the trip. I went to South Dakota and really wanted to see Mount Rushmore and the Badlands before heading to the Tetons and Yellowstone. We had to extend the time in SD because the fog was so thick you couldn’t see more than 20 yards. I ended up going into the Badlands again and came across some big horn lambs running across the tops of the cliff. Overall one of the best trips I’ve been on. I’ve really turned into the make the best of whatever happens type of person now.
I had no plan to go to the Badlands and when I did (spontaneously, while staying in Custer SD) I only spent 3 or so hours there but was so glad I went!
 
I agree - great story that no doubt many can relate to.

Perhaps on extensive photo centric journeys such as yours that at key areas pre-arranging ahead of time for the services of a local wildlife photo guide would increase success and satisfaction as far as the photo results of the journey.
I did hire a guide for a morning in The Tetons with mixed results (including a great encounter with some Pronghorn). I’d for sure consider doing it again on a future trip.
 
Stephen, we can all relate to your trip! So many times we go out visualizing what the day "should" look like. And it never seems to go as we had imagined. But that is the great part of being out there, we get to just enjoy the day and the animals for what they are. Although the days when you get out there and everything comes together arn't bad either!

Sometimes your in the right place, right time, perfect light, and even have the the right lens on the right body! Other times no matter how hard you work it, you just cant seem to get "the" image that you wanted. Welcome to the world of wildlife photography

Its those times you just have to sit back and enjoy where your at and what your doing. Its truly a blessing to be out in the woods, hiking a mountain, or even standing in a creek.

Thanks for your story!
Thanks. And yeah, in general my photographic life has been more about the act of (and how present and aware I feel) so it was interesting to have very specific result desires. Once I got over that it was all good.
 
Like others have said we have all had that light bulb moment both good and bad. It took me months of bad images when I first started... then I got my first good image and I wanted a 2nd one... then a 3rd and so on and so on. As @Demodave said... go into it with the thought of enjoying the day and where you are in the world at that moment. To this day my most personal memory in the outdoors I didn't have a camera, but that doesn't diminish at all how I fell about that event.
I was in Yellowstone a long time ago and got to witness 2 grizzlies and 3 wolves interact while feeding on a dead bison carcass, I had my camera equipment but could not get close enough to get any kind of photograph that I thought was acceptable at time. while recently going though those photo's it placed me at that exact moment and I was instantly transported back there....

Sometime we have an image (no pun) in our mind of what we think is perfect...when in reality that photo I have is one of MY personal favorites because of the memory it provides. Isn't that truly WHY we take photos... to move us, to make us think, to make us FEEL something.
Thanks. And that’s a good reminder. I go down memory lane with my phone photos often... especially with the ones that aren’t gor show.
 
Great write up - an enjoyable read :) Thanks you. One soon learns the subjects can be relied upon not to oblige, and weather is too often fickle. Ultimately wildlife photography must be enjoyable. disappointments are inevitable. But I think serendipity is one constant that lures one outwards and onwards ! Another factor is the more outings, encounters and interactions with subjects the greater one learns to understand their behaviour. I also never tire of the same beat either hikes or drives as you get to know the key nodes and patches where interesting and events are more likely, and memories accumulate with experiences....

If you might like to read into some more philosophical aspects, particularly having confidence in one's gear... take a look at Ming's blog eg https://blog.mingthein.com/2017/12/03/the-shooting-experience/#more-16119


PS one factor with aspects of photo gear: when it's possible not only a 2nd but 3rd camera is very useful in the car/hide. So one has complementary rigs for reach/framing as well as low light. And of course 2 zooms give so much more flexibility with framing, especially with as one subject presents two very different scenes, which can coincide in time. This is the main niche of my 80-400 G. If only shooting wildlife with primes, the 'doubling rule' is useful based in focal length eg 200/400/800
Thank you! And I hear you on getting to know a place! (And on a super zoom option). And i liked the essay!
 
I agree - great story that no doubt many can relate to.

Perhaps on extensive photo centric journeys such as yours that at key areas pre-arranging ahead of time for the services of a local wildlife photo guide would increase success and satisfaction as far as the photo results of the journey.
Noooooooooooooooo. Surely if you have a guide then all you are doing is repeating what thousands of his or her customers have done before you? Me personally I would rather have one, one off original shot than a hundred that everyone else has. Yes you should plan but being led around to guaranteed captures,
 
A couple of months ago I posted some questions ahead of a what turned out to be my first exclusive and focused wildlife photography road trip (and I got some very helpful answers - thank you!). I wound up on the road for 3 weeks going from LA thru Utah, Idaho, Wyoming, Montana, South Dakota, Colorado and Arizona (Zion, Yellowstone, Teton, Harriman State Park, Custer State Park, etc.).

It was 4900 miles of mostly easy breezy driving and was a great antidote to the previous 7 months of lockdown.

I’ve been photographing (or attempting to photograph) wildlife for about 7 years. My main method being hiking around with my camera and seeing what happens. A decent amount of my decision to become more focused and serious about it came from watching Steve’s videos and reading his photographing wildlife ebook. So I added a 500mm lens to my kit along with a sturdy tripod and gimbal head and was determined to and certain that I would find lots of amazing spots to get out, set up my rig and patiently allow the scene(s) to unfold before me.

Ha!

What really happened is that I never once pulled out my tripod. I always felt like I was a step behind the action and when opportunities did arise (and compared to the time spent they were rare) it all felt so run and gun and I often cut off legs or horns, etc.

It was on my 7th day into the trip and 2nd in Yellowstone between Gardiner and the Lamar Valley when I was started feeing discouraged. In my mind I was going to easily spot and beautifully photograph an assortment of animals and in reality had only seen a lot of bison some bighorn sheep and couple of elk at anywhere near the proper distance (I also saw wolves, a brown bear a grizzly but all from quite far away).

The next day I went out again, again with minimal, photographable animal action but a switch flipped and I was looking around and thinking (to paraphrase), “I’m in Yellowstone and it’s amazing!! And I love being on the road and out in nature and I’ve seen bison and elk and wolves and bears and bighorn sheep and I’m having a great time!”

I stayed on the road for 14 days after that and had some great luck (still in that gonzo, leg and horn cutting off way) in Custer State Park but with the switch in attitude had a fantastic time all the rest of the way and while my expectations of what I would encounter and the kinds of pictures I would take didn’t fully jibe the real reality was that it was an immense pleasure and luxury to be on the road for so long and see and immerse myself in so many beautiful places and to see the wildlife I got to see; and pictures or no pictures that has long been my happy place.

I also had a couple of serendipitous moments like on the drive home deciding last second to take the long way from Page Arizona to Kanab Utah so that I could cross the Navajo Bridge and see the Vermillion Cliffs. Doing so led me to stumble upon some California Condors at the Navajo Bridge and while the light and backgrounds were poor I got to witness a mating ritual that was beautiful to see.

A few photography thinks I learned…

I was so stoked to have and extensively use my 500mm lens but so often it was either too short or too long, lol. (I also learned that I can handhold it - previous Nikon version - to good effect but it did start to wear me out.

I had an assortment of 2nd body lens options but still often had the wrong one on in the moment.

In the future I may be better served by having more of a photographic plan (vs a logistical one). As in what do I want to capture and what will it REALLY take to accomplish it.

ALWAYS check the ‘seasons of wildlife’ section in bird sanctuaries etc!! I booked 2 day in Ogden Utah to go to Bear River bird sanctuary but timed my trip right in between 2 migration events so all I got was a car full of midges. I’m usually smarter than that (though Antelope Island was still fun).

So that’s my story, thanks again to all who offered advice and I can’t wait til next time armed with some more knowledge and experience.

I’m not sure how to post a bunch of photos here and I also exported everything larger than this site allows so if you've read this far and are curious at all a quick scroll through my IG (@stephen_berger) will show you what I was up to (the last 100 or so pics - I also took a lot of landscapes).
I spend most of my time now traveling and photographing landscape and wildlife. I have found that it's almost impossible to get the best from an area unless you take time to get to know it. I will stay in one spot for at least 2 weeks. Normally by week two I am starting to get those rare shots which in the first week I could n't did n't see. I like to get the feel for an area, watch everything form dawn to dusk and note times when different birds and animals make a fleeting appearance. Would I use a guide........never, for me and the folk who view my photos it's my experience they want not a guides. So rather than visiting many different sites on a trip I tend to concentrate on one area at a time.
 
I spend most of my time now traveling and photographing landscape and wildlife. I have found that it's almost impossible to get the best from an area unless you take time to get to know it. I will stay in one spot for at least 2 weeks. Normally by week two I am starting to get those rare shots which in the first week I could n't did n't see. I like to get the feel for an area, watch everything form dawn to dusk and note times when different birds and animals make a fleeting appearance. Would I use a guide........never, for me and the folk who view my photos it's my experience they want not a guides. So rather than visiting many different sites on a trip I tend to concentrate on one area at a time.
I hear that and was given the advice to go to fewer places for more time. I look at it like this was kind of a scouting trip and on futire trips I’ll have a better idea of where I want to plant myself.
 
Been there. done that.
Over the years of taking pictures I found out a few truths:
1. In the right light one can make a stunning image of a landscape or a wild animal, even if the animal itself is nothing special. There's a good reason why the golden hour is so important. On guided safaris in South Africa the vehicles go out before sunrise and return to camp at 10:00. Then it's chill time in camp until 15:00, when the vehicles go out again until dark. The hours between 10:00 and 15:00 are not much good for any kind of photography since the light is very harsh and contrasty. Once can get interesting shots during the middle of the day, but only if the animal is doing something really unique. Then the photo is more about its interest factor than its aesthetics. Another way to get good wildlife images in the middle of the day is if the weather is clouded over or if one is in a forest where everything is in the shade. Cloudy, foggy pictures of landscapes or animals can look stunning.

2. I have many times seen people make great images at a specific location that I didn't get because they were there earlier or left later than me. You get to a spot with a lot of wildlife and nothing much worth photographing happens for a long time. Then suddenly something happens and if you're not ready the chance slips away and you have to wait again until something happens. I was at a spot last summer where there's a lot of birds fishing; egrets, great blue herons, kingfishers, osprey, terns, gulls, bald eagles, etc. Photographers were lined up with tripods and going nuts trying to photograph all the action, myself included. I watched three photographers, two male, one female, who were sitting on camping chairs with their cameras on tripods pointed at a great egret that was standing in the water. I took a couple of pictures of the egret and then concentrated on the terns and ospreys diving around me. The three photographers on their chairs were the only ones who couldn't be bothered with the diving birds. They were sitting there, chatting among themselves, completely at ease. As I was working on a tern, the next thing I heard these three folks machine-gunning their cameras pointed at the egret. I looked and was just in time to see the egret swallowing down the last gulp of the fish it had caught. I'm very sure those folks went home with better action pictures of the egret than the few mediocre ones I got of the terns and ospreys. Over more than an hour that I was there I doubt that the three photogs fired their cameras more than three times.

3. Plan your visit to an area for the best time of day. Many of my sunset pictures turned out best after the sun had set completely, so I've learned to wait for a sunset until as much as half an hour after sunset. If you get to an area with lots of wildlife it's often better to concentrate on one animal or bird and wait for the best image. When I try to capture everything in an area with lots of wildlife I often miss some great opportunities. Better to be patient with fewer animals.

4. Plan to spend a few hours at a time in a specific location. You may only get that one money shot during those few hours - or you may not. That's why I always keep going back to the same locations again and again. Lastly, I love road trips and sometimes my biggest challenge is planning for enough time, at the right time, at each spot.
 
Photographing wildlife is always a challenge and always a "mixed bag." It's not unusual, I think, to get really awful shots at times. I also think to photograph wildlife some of the best tools a photographer can have are a steady hand, fast reflexes, the ability to concentrate on the moment no matter what else is happening around you, and a knowledge of good composition that has become ingrained and can be used without even thinking about it. Some of the aforementioned things can be learned but others may not be as easy to master. I've had pretty good luck with wildlife in general and I do have all of the things I've mentioned. But there are so many outside variables that we cannot control and sometimes we just have to figure out how to deal with what we get and make the best of it, always hoping the next time around we'll get everything lined up just perfectly...that's what keeps me going.
 
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