For Canon shooters, the 200-800 is out and looks good

If you would like to post, you'll need to register. Note that if you have a BCG store account, you'll need a new, separate account here (we keep the two sites separate for security purposes).

What is unique for Canon is that it is a white non-L lens. (Up until now all their white R mount lenses are L series). However, modern mirrorless lenses are so sharp that I wonder if the pro designations such as L for Canon or S for Nikon or GM for Sony are that meaningful? For example I owned the Sony 200-600 which is a G but not a GM. It is I think the sharpest lens I have ever owned. The new Nikon 180-600 (which I have on order) is reportedly equal to the Sony and yet it is not an S series. Maybe the pro designations relate to other features (besides sharpness) such as aperture, internal vs external zoom, build quality and weather sealing. Perhaps Canon didn't feel justified in making an f9 lens an L series (though they made their f7.1 100-500 an L). In any case, given the range and price point and relatively compact size/weight, I foresee this lens being hugely popular. If I shot Canon I might get one myself.
 
Only speaking for nikon, the s lenses have more physical controls on lens, and are often sharper (but there's also no nikon branded 24-70 non s 2.8 to compare to, so...) than the other lenses in the focal ranges.

I think we've hit the point where even less expensive lenses are sharp enough for most people.
 
However, modern mirrorless lenses are so sharp that I wonder if the pro designations such as L for Canon or S for Nikon or GM for Sony are that meaningful? ... Maybe the pro designations relate to other features (besides sharpness) such as aperture, internal vs external zoom, build quality and weather sealing.
F-stop v.s. T-stop, overall light transmission, impact of lens coatings on contrast of the resulting image, # of aperture blades and general optical design impacting bokeh. Sharpness is an easy one to harp on because it's much easier to tell when an image isn't sharp via pixel peeping, while those others are more difficult to get a good read on unless you have two lenses of differing quality to take perfectly similar photos to A/B test.
 
Maybe the L pro designation relates to other features…
Some cost-cutting 'features' (or lack thereof):
  • black (instead of white) lens hood—at least it's included which is a first (?) for a non-L lens;
  • no lens case (all L-series lenses come with them);
  • no dedicated control ring (programmable for aperture, ISO, exp.comp, etc.)—manual focus ring can be switched over;
  • collar is permanently attached—that would be acceptable if the foot were removable.
 
The L lenses have been white, but the real designation I think is the red ring.

It looks like it comes down to a comparison of the image quality vs cost with the 100-500. It has gotten down to around $2400 vs. The $1900 for the 200-800. But the 1.4 is costly. Also the 100-500 is lighter and smaller.

Will be interesting to see the comparisons with the 100-500 when the full reviews come out.
 
I can't say I agree. Not sure why would matter how it looked if it did the job.
Because you have to look at it. By your logic no aesthetics should ever be considered in design or marketing.

If you like it, buy it. Im entitled to my opinion on its looks and it looks to me like it was designed by someone with no regard for visual appeal. When Im trying to make a beautiful image I dont want to sour the experience with ugly tools.

To each their own tho.
 
Only speaking for nikon, the s lenses have more physical controls on lens, and are often sharper (but there's also no nikon branded 24-70 non s 2.8 to compare to, so...) than the other lenses in the focal ranges.

I think we've hit the point where even less expensive lenses are sharp enough for most people.

That Nikon is sharper part is surely debatable and hard to quantify. No objective tests are out on this new lens as far as I know. But what would be the point of comparing when the lenses are not interchangeable between systems. One would have to compare by price point as an academic exercise. Take a $1900 200-800 or similar if one exists from Nikon and run a mtf or whatever on both. Probably the closest would be the z 180-600 with a 1.4x. Or you'd have to do a total system comparison including body cost to compare similar price points.
 
Last edited:
It comes across as brand bashing, at least that's my reaction with repeated comments like this.
Canon makes great gear. But in a thread titled "For Canon shooters, the 200-800 is out and looks good" I thought the aesthetics were a topic of discussion, especially since you quoted me and seemed to be asking for me to clarify my position. If I had known someone such as yourself who claims aesthetics are of little concern would in fact be so defensive of the lenses aesthetics I wouldnt have replied to you.
 
Canon makes great gear. But in a thread titled "For Canon shooters, the 200-800 is out and looks good" I thought the aesthetics were a topic of discussion, especially since you quoted me and seemed to be asking for me to clarify my position. If I had known someone such as yourself who claims aesthetics are of little concern would in fact be so defensive of the lenses aesthetics I wouldnt have replied to you.
I think you mistook "looking good" for aesthetics, vs "looks good" as a lens for taking images.
 
It does look good aesthetically to me, but I'm more concerned about size and weight and IQ than appearance. To me it's a tool first.
 
Last edited:
When a lens specification allows for f/9 max apertures it frees the optical engineers considerably. They can use smaller and lighter and less expensive to produce lens elements and less powerful OS motors.

The very high usable ISO of today's cameras coupled with the internal optical stabilization needed by mirrorless cameras makes super telephoto performance when shoot hand held possible. The Z9 with its subject recognition and autofocus performance makes it possible for me to use the 800mm f/6.3 lens with sharp images at slower shutter speeds and without need for a tripod.

It appears that the camera and lens manufacturers are placing more weight on the wildlife photography market with their new products. After decades taking a back seat to sports shooters this is a much appreciated development.
 
I’m glad that Canon is finally coming up with some reasonable alternatives and this lens will open up opportunities for videographers as well as still users. Personally, it’s a lens I wouldn’t be interested in for many reasons and I think the jury is still out with respect to performance. I saw some other videos comparing it side by side to the 100-500 (+tc) which IMHO is the only mid-priced, high performing TP lens Canon produces. The IQ, namely sharpness and contrast were better on the 100-500. Also, one has to see how well the AF works, especially in lower light, how resistant iit is to CA, flare, etc. FWIW, I would never trade my internal zooming f/6.3 180-600 for this bazooka.
 
I’m glad that Canon is finally coming up with some reasonable alternatives and this lens will open up opportunities for videographers as well as still users. Personally, it’s a lens I wouldn’t be interested in for many reasons and I think the jury is still out with respect to performance. I saw some other videos comparing it side by side to the 100-500 (+tc) which IMHO is the only mid-priced, high performing TP lens Canon produces. The IQ, namely sharpness and contrast were better on the 100-500. Also, one has to see how well the AF works, especially in lower light, how resistant iit is to CA, flare, etc. FWIW, I would never trade my internal zooming f/6.3 180-600 for this bazooka.

Let's see those videos you mentioned?
 
I’m glad that Canon is finally coming up with some reasonable alternatives and this lens will open up opportunities for videographers as well as still users. Personally, it’s a lens I wouldn’t be interested in for many reasons and I think the jury is still out with respect to performance. I saw some other videos comparing it side by side to the 100-500 (+tc) which IMHO is the only mid-priced, high performing TP lens Canon produces. The IQ, namely sharpness and contrast were better on the 100-500. Also, one has to see how well the AF works, especially in lower light, how resistant iit is to CA, flare, etc. FWIW, I would never trade my internal zooming f/6.3 180-600 for this bazooka.
Very interesting that it's not getting better grades than what oughta be considered it's predecessor, I was really hoping to see Canon knock it outta the park with their mid-range options but even the apertures (f8 @ 600mm) don't seem competitive with what other brands are offering at that price point.
 
Back
Top