Cameron T
Well-known member
Jan also got one, but doesn't have a video specifically about it yet. I'm glad Canon has an option in this range now.
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F-stop v.s. T-stop, overall light transmission, impact of lens coatings on contrast of the resulting image, # of aperture blades and general optical design impacting bokeh. Sharpness is an easy one to harp on because it's much easier to tell when an image isn't sharp via pixel peeping, while those others are more difficult to get a good read on unless you have two lenses of differing quality to take perfectly similar photos to A/B test.However, modern mirrorless lenses are so sharp that I wonder if the pro designations such as L for Canon or S for Nikon or GM for Sony are that meaningful? ... Maybe the pro designations relate to other features (besides sharpness) such as aperture, internal vs external zoom, build quality and weather sealing.
Some cost-cutting 'features' (or lack thereof):Maybe the L pro designation relates to other features…
I can't remember the last time anyone asked me how my lens looked when they saw one of my shots.I have no idea how it performs but that may just be the ugliest modern supertelephoto lens ive ever seen.
I have no idea how it performs but that may just be the ugliest modern supertelephoto lens ive ever seen.
Because you have to look at it. By your logic no aesthetics should ever be considered in design or marketing.I can't say I agree. Not sure why would matter how it looked if it did the job.
Only speaking for nikon, the s lenses have more physical controls on lens, and are often sharper (but there's also no nikon branded 24-70 non s 2.8 to compare to, so...) than the other lenses in the focal ranges.
I think we've hit the point where even less expensive lenses are sharp enough for most people.
Canon makes great gear. But in a thread titled "For Canon shooters, the 200-800 is out and looks good" I thought the aesthetics were a topic of discussion, especially since you quoted me and seemed to be asking for me to clarify my position. If I had known someone such as yourself who claims aesthetics are of little concern would in fact be so defensive of the lenses aesthetics I wouldnt have replied to you.It comes across as brand bashing, at least that's my reaction with repeated comments like this.
I think you mistook "looking good" for aesthetics, vs "looks good" as a lens for taking images.Canon makes great gear. But in a thread titled "For Canon shooters, the 200-800 is out and looks good" I thought the aesthetics were a topic of discussion, especially since you quoted me and seemed to be asking for me to clarify my position. If I had known someone such as yourself who claims aesthetics are of little concern would in fact be so defensive of the lenses aesthetics I wouldnt have replied to you.
They actually made negative comments to each other about all sorts of things, they reportedly disliked each other immensely.Hmmmmm Didn’t Leonardo Da Vinci make negative remarks to Michelangelo about the brushes being used on the Sistine Chapel ceiling?
They actually made negative comments to each other about all sorts of things, they reportedly disliked each other immensely.
I’m glad that Canon is finally coming up with some reasonable alternatives and this lens will open up opportunities for videographers as well as still users. Personally, it’s a lens I wouldn’t be interested in for many reasons and I think the jury is still out with respect to performance. I saw some other videos comparing it side by side to the 100-500 (+tc) which IMHO is the only mid-priced, high performing TP lens Canon produces. The IQ, namely sharpness and contrast were better on the 100-500. Also, one has to see how well the AF works, especially in lower light, how resistant iit is to CA, flare, etc. FWIW, I would never trade my internal zooming f/6.3 180-600 for this bazooka.
Very interesting that it's not getting better grades than what oughta be considered it's predecessor, I was really hoping to see Canon knock it outta the park with their mid-range options but even the apertures (f8 @ 600mm) don't seem competitive with what other brands are offering at that price point.I’m glad that Canon is finally coming up with some reasonable alternatives and this lens will open up opportunities for videographers as well as still users. Personally, it’s a lens I wouldn’t be interested in for many reasons and I think the jury is still out with respect to performance. I saw some other videos comparing it side by side to the 100-500 (+tc) which IMHO is the only mid-priced, high performing TP lens Canon produces. The IQ, namely sharpness and contrast were better on the 100-500. Also, one has to see how well the AF works, especially in lower light, how resistant iit is to CA, flare, etc. FWIW, I would never trade my internal zooming f/6.3 180-600 for this bazooka.