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Torres del Paine, Patagonia, Chile 29 October 2022
We don't travel much and don't take many landscape photos. There are times a scene is interesting and inspiring but trying to capture what you see and feel is evasive. HDR seemed to answer the problem of the bright white mountains behind the black mountains, but HDR seemed to draw a lot of negative reactions. One might try to use HDR software sparingly while hoping to keep the results reigned in to what the eye saw IRL.
Because we're usually seeing the world through a telephoto lens, it's a surprise and a bit disappointing when we switch to a wide angle lens hoping to capture the entire vast, rugged scene spanning horizon to horizon only to find the steep mountains no longer look steep. Maybe the best way to describe what the wide angle sees is the tall mountains pulled down to the horizon with the foreground and sky elongated. Meanwhile, those much more knowledgeable and smarter than we are insisting telephoto compression is a myth. Hopefully we can agree the perception of telephoto compression is real. And wide angle makes noses big.
Canon EOS R3 -- RF100-500 @ 106mm -- f/6.3 -- 1/1600 to 1/4000 -- ISO 400
55 frames, bracketed 5 frames X .3 stop, to make 11 HDR images stitched
some headroom at the top of the frame for the obscured mountains tops
Thanks for looking.
We don't travel much and don't take many landscape photos. There are times a scene is interesting and inspiring but trying to capture what you see and feel is evasive. HDR seemed to answer the problem of the bright white mountains behind the black mountains, but HDR seemed to draw a lot of negative reactions. One might try to use HDR software sparingly while hoping to keep the results reigned in to what the eye saw IRL.
Because we're usually seeing the world through a telephoto lens, it's a surprise and a bit disappointing when we switch to a wide angle lens hoping to capture the entire vast, rugged scene spanning horizon to horizon only to find the steep mountains no longer look steep. Maybe the best way to describe what the wide angle sees is the tall mountains pulled down to the horizon with the foreground and sky elongated. Meanwhile, those much more knowledgeable and smarter than we are insisting telephoto compression is a myth. Hopefully we can agree the perception of telephoto compression is real. And wide angle makes noses big.
Canon EOS R3 -- RF100-500 @ 106mm -- f/6.3 -- 1/1600 to 1/4000 -- ISO 400
55 frames, bracketed 5 frames X .3 stop, to make 11 HDR images stitched
some headroom at the top of the frame for the obscured mountains tops
Thanks for looking.

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