Two deer in difficult lighting

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Geezer

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I'm trying to spruce up this photo that I took last month, not so much because it's a good photo but more that it was a memorable wildlife encounter worth keeping. It has some tough lighting along with intervening palm fronds that I was standing behind. So far I've done a roughly 10% crop, increased sharpening (focus point hit mostly on nose of younger deer) and significantly reduced highlights. I know this process is very subjective and right now I'm not sure I want to mess with it further but any suggestions or comments would be welcome.

I don't have extensive PP experience and have been using the very basic Nikon software, currently ViewNX-i. After viewing some of the tutorials I plan to try out the free trial of ACDSee Photo Studio for Mac 7 today. I don't plan to do extensive or intricate editing of my photos but just minor tuning as I would prefer for this image.

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I know this process is very subjective and right now I'm not sure I want to mess with it further but any suggestions or comments would be welcome.
Personally I'd say leave it as is and view it as a great personal encounter and memory but a near miss photo opportunity.

The lighting is very tough as you say but the foreground clutter and out of focus palms make this a very difficult image to salvage. These very close calls that just don't work out can be extremely frustrating but stick with it, get out into the field when you can and better opportunities will present themselves.
 
Its a nice shot. For my taste I would crop it more removing some of the Palm fronds making it a more of a high key shot with a darker edge. Don't think the fronds add to the shot and look a bit grainy. Like you I do love encounters with deer.
 
Its a nice shot. For my taste I would crop it more removing some of the Palm fronds making it a more of a high key shot with a darker edge. Don't think the fronds add to the shot and look a bit grainy. Like you I do love encounters with deer.
Thanks for your feedback. I'm trying some new PP software so I'll give your suggestion a try.
 
Hi,
To give you the right answer I need to try myself, but now it is half past midnight.
I think that you can try to adjust in this way,
Reduce the exposure, -0,2 or -0,3 to try to recover the highlight. If you make big adjustment with negative exposure all the light will become of grey colour and unnatural.
Move the slider of the highlight to reduce the luminosity of the light, then recover the shadow with the shadow slider or with the black slider. Can be useful to reduce the contrast.

I made this with the tablet so with a few software possibility but I think that it is a little better.
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@Bardot and @Marco74, thank you for your suggestions. I've made some adjustments and it's looking a lot better. Let me know what you think.
  • Cropped to remove some of the dark area on left side (as suggested), placing a deer in center of frame with the other "moving off stage".
  • Adjusted overall color to reduce photo's slight green cast, making it much more natural to my eyes.
  • Adjusted exposure, highlights and shading, which is the biggest challenge.
One of the reasons this photo is a good memory for me is that it was another peaceful encounter. I took a couple of photos and then stepped back to the side of the trail out of sight. No startled animals heaving off into the woods with tails held high.

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The screen capture was adjusted in Capture One Pro 21 with adjustment to shadows on the levels control and dehaze adjustments. Adjusted the color balance and color saturation levels and reduced the highlights. Also adjusted the clarity and structure. Could have done better with the raw image but this was the best I could do with a jpg.
 
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The screen capture was adjusted in Capture One Pro 21 with adjustment to shadows on the levels control and dehaze adjustments. Adjusted the color balance and color saturation levels and reduced the highlights. Also adjusted the clarity and structure. Could have done better with the raw image but this was the best I could do with a jpg.
Thanks. I appreciate the effort. It's a tough one. I'm just now getting into Capture One and like it, but hopefully I won't have to work on such challenging images.
 
Capture One is a good choice. I have been using C1 for close to 4 years now and am very satisfied with the results. One suggestion would be to use Sessions initially and focus on learning the image processing aspects of the program. Sessions are simple to create and easy to understand. Once you feel comfortable with image processing you may or may not want a Catalog. Learning to use Catalogs in C1 is an exercise in database management that can easily be postponed to a later date. You can always create a Catalog from Session files. The Sessions can be stored in logically arranged folders. Unlike a Catalog, the probability that a Session becomes corrupted is near zero. Furthermore, Session contents are self-contained and can be easily transported via USB drive or Blu-ray disc from computer to computer. The problem is that people who are just starting to learn C1 can become discouraged with Catalog database management and give up on learning C1. Become comfortable with Sessions and you may decide you don't need a Catalog. If you have a LR Catalog and want to import it fine, but initially work with Sessions. Wish you all the best learning C1!
 
Thank you for your suggestions. They dovetail with my desire to keep things simple. I hope to use the app for minor adjustments when needed so I'm concentrating on the basics right now. I like the UI and have found their tutorials helpful. And of course I'm also learning to properly frame and expose the image, therefore limiting the PP required. Easier said than done!
 
Don’t get discouraged! I’ve attached some screen captures that should get you started with this image. I assume the image was taken in raw format. This is the case you should adjust the white balance accordingly to achieve proper color balance. The first image shows the control settings for the background layer, the second image shows the dehaze settings used, while the third is the settings for adjustment layer 1, a filled layer.

The Capture One videos are very well done but their approach to image processing is not that of a wildlife photographer. I would encourage you to use layers liberally. A general game plan for wildlife photography would be to:

  • Create a mask for the animal you are photographing.
  • Create a second mask by copying the animal mask and inverting it. This is effectively a mask of the background.
Then proceed with your adjustments optimizing each of these layers for the desired effect. Tools such as Clarity, Structure, and Sharpening should be applied to the animal and generally avoided in the background as each of these tools creates noise. The background mask is not the object of interest and introducing any noise will degrade the quality of your image. One technique specific to Capture One that I have found useful is to increase the Noise Reduction Luminance to very high values on the background. This will create the appearance of a mild blur to the background allowing the viewer to more readily focus on the animal and significantly reduces noise. Obviously, this technique should not be applied to every image but I have found it more applicable than not.

One thing they don’t emphasize in the Capture One videos is how to effectively use the levels control. Let’s focus for a minute on the black level adjustment located at the lower left of this control. Any photography book will tell you to move this control to the right to where the histogram begins to rise. They caution that further adjustment will clip the blacks. This is true but over a short-range increasing this control to the right will increase contrast, increase color saturation, and increase sharpness. This is an important concept in optimizing your images. Use your eyes to optimize your image using the histogram only for guidance.

One last comment on the Capture One videos. They tend to obsess that the viewer depicts the scene exactly without introducing or significantly modifying colors. This may be a good rule to follow for some commercial photographers to follow, but that’s not everyone by a long shot. All sorts of color modifications are introduced into commercial photography on a daily basis by fashion and glamour photographers to achieve the desired effect. It’s true that many amateur photographers have a heavy hand with color saturation, but in the end, it’s your image and if it pleases you that’s what counts!

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