Hello all,
In my Nikon cameras I have a choice to work with white balance in one of three ways. Various auto options, set the white balance based on the current shooting conditions, i.e. cloudy, etc., or manually set the temperature in degrees kelvin. Nowhere to my knowledge does the camera record a Tint value (green/magenta spectrum), at least that is visible to the user. However, when a photo is imported into Lightroom Classic an "As Shot" Tint value is rendered.
While I shoot raw and can adjust the Tint value to my aesthetic choice, I would like the ability to understand how Tint is established in Lightroom Classic. Is my Nikon camera capturing a Tint value in some sort of automatic way? Is Tint not a value in camera, but something Adobe assigns to a photo?
There are times in the field, especially for landscape work, where I like to view the scene and then manually adjust white balance to accurately render color to what I see in the moment. Since Tint has a huge impact, this can mess the process up. Inevitably, when I'm back on my computer I can't really remember the color I saw in the field.
Your thoughts are appreciated.
Tom
In my Nikon cameras I have a choice to work with white balance in one of three ways. Various auto options, set the white balance based on the current shooting conditions, i.e. cloudy, etc., or manually set the temperature in degrees kelvin. Nowhere to my knowledge does the camera record a Tint value (green/magenta spectrum), at least that is visible to the user. However, when a photo is imported into Lightroom Classic an "As Shot" Tint value is rendered.
While I shoot raw and can adjust the Tint value to my aesthetic choice, I would like the ability to understand how Tint is established in Lightroom Classic. Is my Nikon camera capturing a Tint value in some sort of automatic way? Is Tint not a value in camera, but something Adobe assigns to a photo?
There are times in the field, especially for landscape work, where I like to view the scene and then manually adjust white balance to accurately render color to what I see in the moment. Since Tint has a huge impact, this can mess the process up. Inevitably, when I'm back on my computer I can't really remember the color I saw in the field.
Your thoughts are appreciated.
Tom