It was mainly fill flash for dark shadows that I was looking at but I’m learning so much from all the comments! There’s a whole new lighting out there! I think you need a yellow or blue gel depending on the type of daylight.
Fill flash for Travel Photography
- Thread starter Flemming Morgan
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I will look that up. Is it complicated to use?
Many thanks. I will do thatCheck out Strobist. Although it is not updated it is a mine of information on using flash as a fill or main light(s).
Strobist: Lighting 101: Introduction
strobist.blogspot.com
Strobist lighting 101 david hobby
Strobist lighting 101 david hobby - Download as a PDF or view online for freewww.slideshare.net
Over here in the UK I can get away with no gels when it is a grey day to bright cloudy. When the Sun is out and the light is warmer I have 1/4, 1/2 and 1/1 CTO gels and one of them, or a combination will cover it.
Thanks. Just had a Quick Look and it’s fantastic!Check out Strobist. Although it is not updated it is a mine of information on using flash as a fill or main light(s).
Strobist: Lighting 101: Introduction
Strobist lighting 101 david hobby
Strobist lighting 101 david hobby - Download as a PDF or view online for free
O
Well-known member
I usually take one of several SB 400 units, fits in my trouser or shirt pocket, so tiny yet incredibly handy and super effective.
DF or D850 50mm 1.4 Ziess, and 28-300 with a SB 400 WOW.
I never use flash for editorial work, well, maybe that one time. I see editorial "photojournalism style" as fairly similar to travel work, but I've also traveled quite a bit for work and pleasure. Most of my work is in very challenging lighting situations - dark work shops, inside of boats, mid-day on the water. Not to say flash is bad, just that I've learned how to work around not having it.
First and foremost, it helps to really learn to read light. And sometimes it takes real attention to see what and where the light is, and then find a way to work with it. That doesn't always work (mid-day, middle of summer is always going to look like crap, usually).
I know people use flash quite a bit for their work, but it's just a bit too "loud" for how I work. Not that I'm pretending to be invisible, but I also don't want to draw attention to myself unnecessarily - which means "no flash".
First and foremost, it helps to really learn to read light. And sometimes it takes real attention to see what and where the light is, and then find a way to work with it. That doesn't always work (mid-day, middle of summer is always going to look like crap, usually).
I know people use flash quite a bit for their work, but it's just a bit too "loud" for how I work. Not that I'm pretending to be invisible, but I also don't want to draw attention to myself unnecessarily - which means "no flash".
Thanks.
O
Well-known member
Decades ago Ken Rockwell raved about this tiny tiny flash he loves and uses all the time, so i bought one for its size and effectiveness, I loved it so much i eventually as a spare bought a second hand one in mint condition for $75 when Nikon said its out of production.
Yes there are fancy newer high tech flashes etc but for what it does specifically its perfect. I mean it makes my 28-300 look amazing, as we know good light makes a lot lenses look very much the same.
I have used these for travel especially, street photography, nature photography all sort of things especially fill light, i usually put a additional diffuser or deflector on it for special effects.
I have several SB910 units lots of LED adjustable panel lights etc etc but for everyday fill and boost for just fixing things, its a home run, its in my pocket or kit always when every i take along a camera.
Only an opinion
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https://www.kenrockwell.com/nikon/sb400.htm
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Thanks. Yes, I am going to use a Sony equivalent in size which, like you say, can be put in a pocket and do the fill flash.
I couldn't agree more.
Check out Neil van Niekerk's blog and youtube channel. He is knowledgeable with all things flash. He too likes Profoto.
OK will do. I have a Profoto A10 but I as looking for something smaller for travel
I use the Godox V860III with my Sony A1 for fill in dark forest situations....if subject tolerates. It really isn't much of a pocket item unles you have those big cargo pants.
ElenaH
Well-known member
I used filling flash in FP-mode (with shutter 1/1000, 1/2000) for example, for the birds. It worked excellent,ly you even couldn't see that the flash was used. I also used it to lighten other animals like leopard in the shade - also worked well. And as I was attending one wildlife phototour we were practicing using a flash for sunset pictures with an object (like a leopard on the tree with sunset behind) but here you go fully manual. Yes, I know, you can shoot silhouette but depending on the pose - to liighten a bit brought also very good pictures. When you fill-flash on the subject dunring a cloudy day - the background wil be more dramatic becasue it will be darker.
You can also use a phone-light, a torch or the lights of a car.
You can also use a phone-light, a torch or the lights of a car.
Thanks. I like the idea of the fill flash also for wildlife provided it doesn’t disturb the animal
O
Well-known member
I am certain there is something out there for Sony even in the after market brands.
Calson
Well-known member
When people are photographed and their eyes have no catchlights they appear dead. Compare images where the catchlights are present for people and for mammals and the difference is readily apparent. With a single flash or reflector one avoids the artificial look of have multiple catchlight in eyes as one sees in many low budget TV shows.
Flyboy
Active member
On-board or shoe mount flash, "P" mode/Matrix metering...center weighted should work as well... TTLBL flash...as close to point and shoot as you can get with DSLRS. The camera will do its best to balance the flash and ambient light. Works well...I used it for the first time at my Grandson's wedding. Otherwise, "A" Mode, Exposure Compensation -1.7-2.0, adjust as necessary. Word is, most 3rd party flashes' default is TTLBL.
O
Well-known member
I can relate to A or P mode with the minus compensation, it can make many lenses look very good or the same in outcome sharpness and quality. I guess no matter how smart technology is the fundamentals of photography are still dependent on light as the key asset.
Positioning a flash on the ground well hidden at a water fall drinking hole with settings very very low you can hardly tell it flashed is just enough to add that kiss light in the eye, it can be rewarding.