No idea…but if they do does it have all the goodies in it that are needed for shutterless and 20FPS RAW…dunno that either.Doesn't Sony already have a 26mp APS-C sensor?
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No idea…but if they do does it have all the goodies in it that are needed for shutterless and 20FPS RAW…dunno that either.Doesn't Sony already have a 26mp APS-C sensor?
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A primary challenge in most wildlife genres is getting sufficient Pixels/Duck. ...
a laden or unladen duck?!Pixels per duck is something that I'd like to see listed on all camera spec sheets. (Before anyone goes nuts, I am KIDDING )
What size of duck would you use as the calibration duck?Pixels per duck is something that I'd like to see listed on all camera spec sheets. (Before anyone goes nuts, I am KIDDING )
one that fills the frameWhat size of duck would you use as the calibration duck?
I’m sure they are…but that leading lens lineup is for FX and putting a DX body on an FX lens doesn’t reduce the weight sign over a Z8…sure, lighter a bit not a lot given the lens weight. So…to really have a viable DX wildlife kit they need a bunch of DX lenses that don’t exist. They could obviously build those and the body as well with some limitations based on heat and battery. But…what’s the size of that market niche and is it worth it to them and can they build it for a price that fits into the DX market price range? I’m guessing not…or at least not close enough or the market demand is too small or not enough engineering resources or more likely a combination of all of those.Nikon must be fully aware of the sales implications of this glaring gap - namely the ~$2500 niche ie a DX Z MILC embodying Z9 technology, particularly given Nikon has the leading wildlife optics lineup
"... Fujifilm has taken note of the growing popularity of wildlife photography and has put increasingly more effort into attracting such photographers to their brand.... "
Wildlife Photography with Fuji Cameras: My First Impressions
photographylife.com
No, they don't: Wildlife photographers have been using FX lenses with the D500 and D7500 since they came out. The 500pf is already an awesome, lightweight lens for wildlife that feels great on a DX body. The Z600pf would be the same.I’m sure they are…but that leading lens lineup is for FX and putting a DX body on an FX lens doesn’t reduce the weight sign over a Z8…sure, lighter a bit not a lot given the lens weight. So…to really have a viable DX wildlife kit they need a bunch of DX lenses that don’t exist. They could obviously build those and the body as well with some limitations based on heat and battery. But…what’s the size of that market niche and is it worth it to them and can they build it for a price that fits into the DX market price range? I’m guessing not…or at least not close enough or the market demand is too small or not enough engineering resources or more likely a combination of all of those.
Yep, the 200-500 is a prime example of an FX lens being very popular with a DX body. That's a heavy lens, but the new Z FX telephoto lenses are pretty light so I don't understand why mounting them to a DX body would be an issue.No, they don't: Wildlife photographers have been using FX lenses with the D500 and D7500 since they came out. The 500pf is already an awesome, lightweight lens for wildlife that feels great on a DX body. The Z600pf would be the same.
right, i don’t think the juice was ever worth the squeeze from their perspective to make HIGH END dx lenses.No, they don't: Wildlife photographers have been using FX lenses with the D500 and D7500 since they came out. The 500pf is already an awesome, lightweight lens for wildlife that feels great on a DX body. The Z600pf would be the same.
Yup. Think I would consider it a “dream burger” for those in love with crop sensor cameras…. In other words…. a camera limited to DX format. The D500 was Nikon’s “Hail Mary” with crop sensor in a DSLR…. And IS STILL a great camera. When you look through the EXIF data on some of the images on this site you find amazing work done with the D500. The pixel count difference between a Z8/9 in DX mode and an aps-c is minuscule.The Z8 is basically $3700 and FF. Yes, you can shoot in crop mode with it but an aps-c at maybe max $2500 would be in my budget. Would those hundred replies consider a crop sensor Nikon Z to be a dead issue?