KevCan
Member
Tired of Adobe subscribed model, I want to try something else. Please share your thoughts on the alternative you used or are currently using. TIA
If you would like to post, you'll need to register. Note that if you have a BCG store account, you'll need a new, separate account here (we keep the two sites separate for security purposes).
I was in the boat of my last PS was CS6. I never knew what LR could do. With the AI Masking and Denoise along with keeping the catalog and so many features, as a bundle it’s really hard to beat. Steve’s course sold me on LR . I felt the same as you but no longer.I'm using DxO PhotoLab for raw development (sometimes LightZone) + (very rarely) Affinity Photo or Gimp in case I really need more than PL offers. I used to have LR (I was never happy with LR) + PS CS6. But, I don't trust Adobe anymore. CS6 was great, but Adobe didn't tell the truth about their 64bit compatibility. CS6 still can do much more than I need. But, can't use it anymore. PSE isn't an alternative for a photographer. It's still 8bit.
Adobe had so much time, but they didn't use it. They only bring features, when their competitors bring something new, and the pressure increases before losing customers. I'm very happy not to have any Adobe products anymore.
When DxO offers an upgrade (in October/November during the last 3 years), I can decide if I want it. When their upgrade contains features I need, it's on me to accept.
Just to clarify as I understand it: C1 used to offer a perpetual licence with all updates included for the following year up to a new 'version' release. They are now offering a perpetual licence complete at any point in time, but without the 'free' updates. These have to be paid for individually. C1 has really got themselves into a difficult transition between persuading users to switch to a subscription, whilst still retaining the perpetual licence in altered form. Version 22 is sufficient for my needs and I have not bought a new version; the new features don't interest me.I’ve been a Capture One user for 6-7 years now. Steep learning curve as the interface is…different. It’s better than it used to be but things like importing and exporting are unnecessarily complicated. The development is going further to the studio professional who is shooting tethered. But once learned, the results are excellent. Colour management is great, e.g., the saturation slider adjusts for skin tones and balances beautifully between already saturated colours in the original image so you get natural looking results easily. Being able to adjust colour in shadows, midtones and highlights separately makes grading very easy. The micro contrast adjustment is very good, too. Layers are very usable but masking isn’t great and tricky to use; think photoshop ten years ago.
They’re moving to a subscription model which I don’t like. I’ve been using DxO Photolab for some time (noise reduction is brilliant) and I could live with it if Capture One has to go. The standard and preset adjustments are excellent so you get a very usable image almost instantly, with the best lens corrections and camera body specific colour profiles. Global adjustments are good but I miss Capture One’s more subtle approach every time I use Photolab. Local adjustments are very powerful but those have a steep learning curve. Control points are brilliant for faces, selective shadow recovery, etc. But the other tools are a mixed bag; I feel I have less control than with Capture One. And Photolab has zero file management which is both good (no large catalogs) and bad (slow startup in folder with many images, trickier sync of metadata).
If a subscription model is a complete non-starter for you, Capture One is out and I’d recommend Photolab. There are good tutorials via PhotoJoseph and others and the results are equally good. Different, but equally good.
The things with Affinity is that you should not be using it as a RAW convertor, just way behind the others in that, but it is definitely the best photoshop alternative out there, but you still need a LR alternative, which is either Capture One or DXO.
Proper assessment ... in the end they all have to stay in business. AI offerings are constantly changing weekly, so that is a moving target.You can run all you want. But really. They all make you pay in the end. Even if it’s 200 over 36 months with one upgrade or needing a second program. The price difference is minimal. What suits you is where you should spend time. Steve’s video course on LR and Juienne Kost’s free videos got me where I needed to be with Adobe. Their overall bundle has a lot more than any other single program so factor that into the cost too. Not what you wanted to hear I know. Sorry.
I purchased CP1 23 last year, before they announced their new model. I have received 6 updates to my perpetual license...16.1.3 is current. While many updates are to bring new cameras and lenses into the fold; there have been some substantial functional improvements. All this being said, I do not know whether this will be different if someone purchased CP1 23 when they announced their new model or not. I am still a little confused.Just to clarify as I understand it: C1 used to offer a perpetual licence with all updates included for the following year up to a new 'version' release. They are now offering a perpetual licence complete at any point in time, but without the 'free' updates. These have to be paid for individually. C1 has really got themselves into a difficult transition between persuading users to switch to a subscription, whilst still retaining the perpetual licence in altered form. Version 22 is sufficient for my needs and I have not bought a new version; the new features don't interest me.
I don't find exporting too difficult. Unlike LR where a separate virtual copy has to be created for soft proofing, with C1 you always work with the image in the profile as it will be when exported or printed; you always work with the 'soft proof'. Direct importing from a memory card via C1 is awkward in my experience. I import by direct file transfer to the folder of my choice, then just synchronise C1 with that folder, fast and simple. For large numbers of files I often use FastStone for initial import/sorting.
I should add that I use Topaz software as and when needed, and these plug-ins work as they do in LR; round trip editing.
If you have any specific questions, just ask. There are several members on the forum who would be happy to help. Comparing these large professional programmes in just a few lines is always going to be inadequate.