Most common/annoying reaction to your photos

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The most annoying thing I've had happen when out shooting is when another photographer walks over, checks out what I'm shooting, and starts trying to convince me that I should switch brands to theirs because it so good at this thing or that thing.

The second most annoying thing is when another photographer walks over and asks "whatcha shootin" as the thing I'm shooting scurries away in fear.

I've gotten both simultaneously 🤬🤬🤬
 
We have an appropriate saying in Texas: "bless your (his/her) heart." Up to the listener to interpret.
My wife is from Florida. I have come to fear those few words coming out of her mouth (directed at me or anyone else for that matter) - a major hurricane is headed right at whoever was the intended target. Not being born or raised in the US, I had originally no clue but I learnt pretty fast (at least fast enough to learn that the appropriate answer is "yes ma'am" and run).
 
I’d say the thing that bothers me the most is when the photo I like the least is the one that everyone likes or people say that is a great photo. It males me wonder why I bothered trying to get the better photos.
As photographers we tend to look at a photograph differently and look for different attributes in the photo. Non-photographers can be drawn to something completely different, it may be bright colors, or a bird they haven't seen before, a pretty waterfall, whatever. I tend to seek input from my friends and family who are photographers as well as those who are not. One of my most popular photos and one that I've made a number of prints for among family, friends, and even at a show, is the one I call "Serenity Tree." It's just a leafless tree in the middle of winter and everything around it is completely washed out white ("high key" although that isn't really what I was trying for). I thought it was just a snap shot. However, cannot question successful images.
 
Funny thread :) I've had pretty much all of these, and they are irritating since many of these people seem focused on the tool I bought to create my art rather than 1) the beautiful place we're in or 2) what I might create with it. I think I've worked out a couple of good responses since the person almost always means it as a compliment or at least interest...

To "Now THAT's a camera!" etc. - I respond with something like "Go to Dave Stargazer dot com if you'd like to see what I do with it!" which often leads to a conversation and maybe a new fan. Often I'll have them bring it up on their phone right there so they find it.

For the "How much does that cost?" flavor of query, my response is similar to Steve's: "You don't want to know ;)" yes with the winky face haha

If they are disrupting a quiet shoot (esp wildlife), then I might just decline to answer, or make a motion to stay quiet, and point, which invites them into the experience.

Perhaps the most irritating episode for me though was when a guy saw my gear (he had a point and shoot), and accosted me as I was prep'ing to go into the field for a fall color shoot. He regaled me for five solid minutes with this crazy vigilante fantasy story about an ex-marine friend who was in <coded racist language for an area with non-white people>, and they attempted to rob him at gunpoint, but he disarmed them, and held them down until the police arrived. It harshed my mood for a bit shall we say.

In retrospect I hope he heals because there we were, in a beautiful place, at the height of fall colors, but he sees my gear and is triggered to be consumed with thoughts of robbery, violence, police, revenge, and hate...and thought that was what anyone would think... Basically I responded with "ok" and walked away. Later, he started walking toward me in the field, and I hustled off in another direction...

Hope no one gets that sort of experience!

...Dave...
 
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Did I mention that people who see positive in any situation are annoying? :LOL:
haha, before I retired you would have really enjoyed me. Most of my career I was a project manager. I was paid to see the negative in every situation. how to prepare plans, contingency plans and plans for when contingencies go awry. My philosophy was "If anything can go wrong, it already has... you just don't know it yet." I had a sign on my desk that said "Murphy was an optimist.". So happy to be retired and out of that life. It can put one in a very very dark place.
 
I'm not an angel and sometimes comments bug me, but I try to remember that people are generally just being friendly, curious, or trying to complement you and just don't know a lot about photography.

Meanwhile, one of the funniest things that happened once was a teenager with his friends pointing at me and laughing, saying, "that guy is taking pictures of BIRDS! Why would anyone take pictures of birds!?" His friends looked to be a little embarrassed by their buddy and didn't say a word.

There are often people who tell me they just saw an eagle in a tree and it's an Osprey, a stork in the pond that's a heron, etc. Again, I try to remember that they just want to engage in conversation or be helpful.
 
...For the "How much does that cost?" flavor of query, my response is similar to Steve's: "You don't what to know ;)" yes with the winky face haha...

When I get that question from someone who has no visible means of (financial) support I generally pack up & call it a day.
 
Please do not stop! I am a long time hobbiest photographer who took a lot of jewelry photos and who is now in the process of getting an upgrade to the Z9, and when my purse has recovered enough I will be getting the 800 PF lens. I will never sell enough photos to justify the expense for the camera, let alone the lens. I will continue to shoot the jewelry as well, although I don't think there is any legitimate way to use the 800 PF for that, so I will not be claiming the tax credit for that as I will for the camera.

I have taken some very nice shots, and perhaps a few really good photos and I am learning more every time I take my camera out for a session. I both want and NEED the suggestions on how to turn some of my nice shots into really good shots. It is the reason I am here at this forum. If you, and the others who have been so helpful to me decide not to offer support, I will be very sad.

If anyone posts something in the critique forum I'll give it an honest response, especially if a specific question is asked. Otherwise I'll just click like or give some generic praise.
 
A few times that I was out with the Z6II (small camera, right?) and the 200-500mm attached and fully zoomed, people would say "wow, that's a big camera!". When my new neighbour moved in next door a couple years ago, one day I was in the back yard with the rig. She came out and said "what is that and what do you do with it?" When I explained the concept of a telephoto lens she was flabbergasted.
Rassie, I've had similar experiences when I'm outside with my telescope, believe it or not. Most people have never looked into the eypiece of a telescope, and probably also into a camera with a telephoto lens. Letting them peer into the eyepiece of the telescope is often a great experience for them. Maybe letting them do so with the camera, when conditions permit, would also be enlightening.
 
haha, before I retired you would have really enjoyed me. Most of my career I was a project manager. I was paid to see the negative in every situation. how to prepare plans, contingency plans and plans for when contingencies go awry. My philosophy was "If anything can go wrong, it already has... you just don't know it yet." I had a sign on my desk that said "Murphy was an optimist.". So happy to be retired and out of that life. It can put one in a very very dark place.
I may have worked for you in the past.... ;)
 
Rarely are others around when I take pics.
The neighbor stopped by the other day when I had my big lens set up outside on a tripod. She asked right away if I was taking pics of her and her husband (across the street, they have 100 acres or so of riparian river bottom I walk with their blessing) but never with the 600mm.
Should have said “only when you’re skinny dipping.” LOL!
 
I've essentially had that happen over the years. While gear helps and can improve keeper rates, it only gives you more of what you are already getting. I've shot with people using the exact same gear as I use and they weren't even close to getting the same photo. They weren't watching their backgrounds, weren't as creative with composition, weren't getting close enough, weren't getting low / high enough, they didn't get into the right position, they didn't know how to approach / handle the subject, couldn't find the subject in the viewfinder, didn't know how to use the cameras features effectively, didn't have proper technique for the shutter speeds they were using, and on and on. :)
I probably fit into that camp my self Steve. I look at your photos and photos from others on this forum and think man there is no way I will ever be good enough to capture images like that but I keep struggling on because I love what is to me a hobby even though life gets in the way most of the time to keep me from pursuing it like I would wish I could.
 
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