Wow, thanks for all the insight. I have a lot to think about!
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We are closing in on retirement. The first thing when we buy our retirement home will be a large printer. I really enjoy the whole process and seeing larger prints really drives me to improve my skills.I printed at home for years with a big Epson 4800 and really enjoyed the process and the immediacy of generating prints whenever I wanted. I sold it a few years ago when I started printing on different media like direct on metal and also printing less as I moved away from direct print sales. I really enjoyed home printing and generally had good luck with quality and color reproduction but did go through the whole process of monitor and printer calibration, hard proofing and ICC color profiles for different papers, canvas, etc.
I miss the printer sometimes as there's nothing like shooting an image, processing it and then seeing it come out in large format right in front of your eyes. My wife does have a Canon all in one with decent seven color printing that we'll use for things like a quick greeting card images and it does a nice job but I do miss having a big roll style wide carriage printer in the house.
That said the downsides to home printing that have me using labs include:
- Large ink tank printers really need to be used frequently to avoid clogging and really shouldn't sit idle for very long
- The entire system takes up a fair amount of space, not just the printer but the supplies like paper stock, spare ink tanks, etc.
- When I printed at home I generally also matted and framed at home and that adds a lot more stuff and takes up even more space
- I really like some of the new media like direct printing on metal, glass, wood block, etc. and home printers generally can't handle those
Someday if I can find good working space I'd love to invest in another high end printer but have been quite happy with good commercial labs so I continue to use them.
There are tradeoffs. Glossy finish papers have higher apparent acutance, but they also have annoying reflections. For that reason for general use I like a pearl/semi-gloss paper. Ilford Pearl is good and relatively inexpensive. I have experimented with Moab metallics and sometimes like the result (rather like Cibachrome), sometimes not. For monochrome I like a more classic look from a baryta rag paper. For subjects that already tend to look painterly, and if I don't mind the loss of acutance, I try watercolor or matte papers.Thanks for all the suggestions. I think utilizing a print service would be the way to go. For those of you that use Bay Photo, what type of print/paper do you go with for something you may frame or hang. Something in the larger size but nothing over 30". The selection size is quite overwhelming for me and I am lost.
Thanks for all the suggestions. I think utilizing a print service would be the way to go. For those of you that use Bay Photo, what type of print/paper do you go with for something you may frame or hang. Something in the larger size but nothing over 30". The selection size is quite overwhelming for me and I am lost.
If you're just starting, I might suggest picking a single paper like Ilford Pearl and getting to know how it works for you before diving into the rather large set of options. The website luminouslandscape.com also has a number of articles on different papers.
I dont know your area.Hello, I am looking for insight into where people have their work printed. I've come to the decision that I want to start printing some of my favorite photos. I don't have plans for them, to be honest, I would just like to have some physical prints to admire and perhaps give away to friends., just tired of only looking at them on a screen. Is there a service that you can recommend from first-hand experience? Or perhaps a printer recommendation for Nikon?