Premise: I have the money for EITHER a Z9 OR 500 f/4 (hopefully E FL), but not both.
Ok all, (disclaimer) I am going to ask a question I might generally chuckle at if I saw on here because I know there is likely a string of questions headed my way with so many variables like what, when, who, how, hobbyist/pro, potato, pataaaato, etc.. But I AM going to buy a new piece of gear and need some constructive nudges. I currently have a D850 with decent (24mm up to 500mm) coverage for whatever I shoot, whether the grandbaby, sports, or a hunting raptor. So, on to the meat of the question...
Upgrade to Z9 or get a 500 f/4 and restart the savings process for Z9 later down the road?
Since obviously, either is going to be a dream to have on hand, this is where my thought process becomes blurred.
Ok all, (disclaimer) I am going to ask a question I might generally chuckle at if I saw on here because I know there is likely a string of questions headed my way with so many variables like what, when, who, how, hobbyist/pro, potato, pataaaato, etc.. But I AM going to buy a new piece of gear and need some constructive nudges. I currently have a D850 with decent (24mm up to 500mm) coverage for whatever I shoot, whether the grandbaby, sports, or a hunting raptor. So, on to the meat of the question...
Upgrade to Z9 or get a 500 f/4 and restart the savings process for Z9 later down the road?
Since obviously, either is going to be a dream to have on hand, this is where my thought process becomes blurred.
A snazzy new Z9, "in theory," helps ALL my existing glass and has far superior video capability, which I would like to explore, and the ever-debated YSWYG view-finder. Theoretical glass gains come from:
- improved AF accuracy, full AF sensor coverage, substantially improved focus modes w/ subject detection
- higher frame rate for more opportunities in sports and wildlife
- no worries about calibration (especially in zooms that can vary from end to end) *even from a tripod, I have never been blown away by my 200-500 unless in live view
Getting the amazing 500 F/4 can be a game changer for its extra stop, sharpness, weather-sealed build, and AF performance compared to 200-500, which seems to be almost always at 500mm for me. The F/4 glass was my original plan for my saved funds. The water got muddied when I thought about what the Z9 brings to the table in a more across-the-board and future-looking approach. I know, I know, the D850 can and does produce amazing quality, and when it locks focus, generally speaking, it matches the IQ of the Z9. Alongside that, more practice and shooting leads to better tracking by the guy behind the viewfinder who now could be producing creamy 500 f/4 goodness. See how it goes off course in my brain? Agghhhh, help me get the water more clear!!!